Remy Cools

Akrivia AKs, Krayon Everywhere and Anywhere, Sylvain Pinaud monopusher chronograph, Petermann Bedat 2941 and 1967, Renaud Tixier DRT Tempus Fugit and Monday, Dann Phimphrachanh Seconde Vive, Remy Cools Souscription Tourbillon and Tourbillon Atelier, Theo

and only 24 are by Simon Brette, 20-30 by Akrivia, 50 by Kari, 50 by PB, 12 by Sylvain Pinaud, 12 by Remy Cools, etc. Say if we add their production number, we probably won't top 2000 total (I don't consider Journe artisanal). This is like a tiny drop in

Greubel Forsey, Romain Gauthier, and Ferdinand Berthoud/Moritz Grossmann. Honourable mentions: De Bethune, Ch. Frodsham, Atelier de Chronomètrie, Laurent Ferrier. Of course, these are the ultra-high quality, low output brands. If it is just makers, maybe

Not often one could see two when he just started delivering his first pieces… Credits: one of our fellow purist! Pleased to see them, much refined and certainly wearable than the initial ones ! Best, Mahesh.,

Moderator Patrick_y summarizes his experience of the Dubai Watch Week 2023 show and why WatchProSite readers should absolutely attend the show! The site of the Dubai Watch Week - at Dubai International Finance Center. In the world we live in today, we rar

Our Moderators Mahesh and Foversta introduced Remy Cools to WatchProSite in 2020, three years ago - and I finally had the pleasure of meeting the master this year, 2023, in Dubai. Boy am I late! The disadvantages of living in the other side of the world!

What more can I say ? My wife and I are in Bali for 2 weeks attending a Horological Retreat with around 50 - 60 passionate collectors from all over the world. It is organized by an amazing friend who put us all together for this special moment ❤️. TRULY U

true there are recent trends - open work wasn't popular neither with watch makers nor with collectors community - in recent years this has totally been the contrary. I also think, there is a distinct design code between the new ones... let say Theo Auffre

is a French watchmaker who graduated at the same time as LeComte. They both attended the same school, Lycée Edgar Faure, and Lecomte continues to teach there. This school has created a generation of very promising young French watchmakers, including Remy

There are many brilliant independent watchmakers emerging practically on a monthly basis and although Dufour, Smith and Voutilainen are legends, the newer independents have also demonstrated a high level of craft. Of course one might feel apprehensive to